/page/2

fuckyeahladygaga:

Gaga was mentioned in Katy Perry’s cover story for Rolling Stone.

And this is why you’re a cheap replica of the real thing. Katy, where is your depth? Your a plastic doll compared to Gaga who is LIVING for her fans. It isn’t desperation, she is fully in love with those who support her. The relationship between Lady Gaga and little monsters is the relationship one would have to a family member. Gaga IS ours and we ARE hers. There is nothing dramatic or artificial about that. It’s called love. It’s called respect. It’s called loyalty.

July 29th, 2014: Talking alongside Tony Bennett about their new duet album “Cheek To Cheek” on the Today Show

(Source: ladyxgaga, via kristenwiiggle)

gagaroyale:

Having already debuted at the Louvre last fall, Robert Wilson’s video portraits of Lady Gaga were no less eerily beautiful when they were introduced to American audiences this past Saturday evening at the Watermill Center. There, at the extraordinary annual benefit to support what founder Wilson calls “a laboratory for performance,” Hamptons patrons took in what are perhaps the most muted and also the most interesting of Gaga’s artist collaborations to date. Where the grandiosity of other projects that coincided with the release of her underwhelming 2013 album Artpop ultimately felt flimsy—notably those taking a page from Marina Abramović and with Jeff Koons—the Wilson portraits present something that feels genuinely different, not only for Gaga but also for art. 

One, in particular, sees Gaga embody Mademoiselle Caroline Rivière, who was in her early teens when Jean-Auguste-Dominique Ingres painted her portrait in 1806. With the costume and setting of Ingres’ original exactingly imitated, Wilson and Gaga then go off script in a nearly ten-minute video, a portion of which is seen here, that breathes life into its Neoclassical antecedent—quite literally, in fact, as one barely perceives the slow rise and fall of Gaga’s chest as she respires. Steadily falling teardrops, a swan in slow-motion flight, and a violin-based score further differentiate Wilson’s work from Ingres’ painted original, which was clearly just a starting point for his work with Gaga. Perhaps most remarkable here is the global pop star’s ability to completely disappear into a character other than herself. And actually, after witnessing Wilson’s Mademoiselle Caroline Rivière, it won’t sound so surprising to hear that Gaga will appear alongside Bruce Willis and Jessica Alba next month in the sequel to Frank Miller’s Sin City.  

Video Portraits of Lady Gaga by Robert Wilson is on view at the Watermill Center until September 14, 2014.

(Credit: Mark Guiducci Vogue)

(via carmelinaxox)

carmelinaxox:


@katyperry: TOMORROW #THISISHOWEDO MUSIC VIDEO 💅

ARTPOP

WHAT THE FUCK SHE NEVER CEASES TO LOWER HERSELF

carmelinaxox:

@katyperry: TOMORROW #THISISHOWEDO MUSIC VIDEO 💅

ARTPOP

WHAT THE FUCK SHE NEVER CEASES TO LOWER HERSELF

(Source: iheartkatyperry)

(Source: xxartpopxx, via kristenwiiggle)

artRAVE - Backstage 2.0

(Source: amenvenus, via stefanibadkid)


Gaga out and about in NYC. 28.7.14 HQ

Gaga out and about in NYC. 28.7.14 HQ

(Source: gagasgallery, via gagasgallery)

fuckyeahladygaga:

Gaga was mentioned in Katy Perry’s cover story for Rolling Stone.

And this is why you’re a cheap replica of the real thing. Katy, where is your depth? Your a plastic doll compared to Gaga who is LIVING for her fans. It isn’t desperation, she is fully in love with those who support her. The relationship between Lady Gaga and little monsters is the relationship one would have to a family member. Gaga IS ours and we ARE hers. There is nothing dramatic or artificial about that. It’s called love. It’s called respect. It’s called loyalty.

July 29th, 2014: Talking alongside Tony Bennett about their new duet album “Cheek To Cheek” on the Today Show

(Source: ladyxgaga, via kristenwiiggle)

gagaroyale:

Having already debuted at the Louvre last fall, Robert Wilson’s video portraits of Lady Gaga were no less eerily beautiful when they were introduced to American audiences this past Saturday evening at the Watermill Center. There, at the extraordinary annual benefit to support what founder Wilson calls “a laboratory for performance,” Hamptons patrons took in what are perhaps the most muted and also the most interesting of Gaga’s artist collaborations to date. Where the grandiosity of other projects that coincided with the release of her underwhelming 2013 album Artpop ultimately felt flimsy—notably those taking a page from Marina Abramović and with Jeff Koons—the Wilson portraits present something that feels genuinely different, not only for Gaga but also for art. 

One, in particular, sees Gaga embody Mademoiselle Caroline Rivière, who was in her early teens when Jean-Auguste-Dominique Ingres painted her portrait in 1806. With the costume and setting of Ingres’ original exactingly imitated, Wilson and Gaga then go off script in a nearly ten-minute video, a portion of which is seen here, that breathes life into its Neoclassical antecedent—quite literally, in fact, as one barely perceives the slow rise and fall of Gaga’s chest as she respires. Steadily falling teardrops, a swan in slow-motion flight, and a violin-based score further differentiate Wilson’s work from Ingres’ painted original, which was clearly just a starting point for his work with Gaga. Perhaps most remarkable here is the global pop star’s ability to completely disappear into a character other than herself. And actually, after witnessing Wilson’s Mademoiselle Caroline Rivière, it won’t sound so surprising to hear that Gaga will appear alongside Bruce Willis and Jessica Alba next month in the sequel to Frank Miller’s Sin City.  

Video Portraits of Lady Gaga by Robert Wilson is on view at the Watermill Center until September 14, 2014.

(Credit: Mark Guiducci Vogue)

(via carmelinaxox)

x

(Source: mother-gaga, via carmelinaxox)

carmelinaxox:


@katyperry: TOMORROW #THISISHOWEDO MUSIC VIDEO 💅

ARTPOP

WHAT THE FUCK SHE NEVER CEASES TO LOWER HERSELF

carmelinaxox:

@katyperry: TOMORROW #THISISHOWEDO MUSIC VIDEO 💅

ARTPOP

WHAT THE FUCK SHE NEVER CEASES TO LOWER HERSELF

(Source: iheartkatyperry)

(Source: xxartpopxx, via kristenwiiggle)

artRAVE - Backstage 2.0

(Source: amenvenus, via stefanibadkid)


Gaga out and about in NYC. 28.7.14 HQ

Gaga out and about in NYC. 28.7.14 HQ

(Source: gagasgallery, via gagasgallery)

artslay:

CHINA

(Source: bornthixway, via ladygagadaily)

About:

Blogging all things Gaga, all the time.

Following: